donna michelle fowler - Wedding/Quince/Group Pricing

WEDDINGS, QUINCEANERAS, FAMILY REUNIONS, ETC. Prices Effective Jan. 1, 2008 for locations within 2 hours of Danville. For other locations, contact me for pricing.

For these events we will bring our studio lighting and spend up to three hours (or more) providing complete coverage. We will gladly photograph all families present in whatever combinations you would like, and provide you with a high-res CD of all images, color corrected, cropped, and retouched where necessary (we shoot in RAW format and then convert those files to edited JPEGs.) We will also create a CD of 100 high-res images that have been "specially edited" with a variety of cool and magical techniques. We will fix "closed eye" shots by swapping heads wherever possible, and will fix glasses glare where possible (although the only way to completely eliminate that is to not wear your glasses or remove the lenses for your pictures). We will give you a copyright release so that you may have your pictures printed at the pro lab and get the wholesale professional photographer prices (or you can go to Wal-Mart or a one-hour photo center). One payment is due to hold the date, the second is due two weeks prior to the event, and the third is due when CDs/portraits are picked up.

Classic coverage: Pre-planning session, pre-event location analysis/set-up, three hours at event, 40 hours of editing, 100 high-res "specially edited" images on CD, the rest of your images edited and on CD (100-300), and keepsake album with 24 MetaliFX prints - 3 pmts. of $ 400

Deluxe coverage: Same as classic coverage, but also includes an additional two hours at event, for up to five hours total, any additional editing, and a 16x20 watercolor - 3 pmts. of $600

Ultimate coverage: Includes everything the classic and deluxe coverage provides, with an additional two hours at event, for up to eight hours total, an engagement/pre-bridal session, the 16x20 watercolor from that session to display at the wedding, a 20x24 watercolor, and a 30-day website for the bride and groom with an online gallery of their portraits - 3 pmts. of $800

Photo Tips for Wedding Guests

Now that June is here, chances are that you will be attending a wedding or two sometime soon. And, chances are, you'll be bringing your camera to the wedding along with a gift or two for the happy couple. Here are some tips from the pros at the New York Institute of Photography, the world's largest photography school, to help you take great pictures of this memorable occasion.

"While most couples hire a professional photographer to photograph the ceremony and reception, there's still plenty of room for you to also capture your perspective of this joyous occasion on film," says Chuck DeLaney, Dean of NYI, America's largest photo school. "There are lots of moments that happen among the guests that will never be captured by the professional wedding photographer," explained DeLaney. "Stay out of the pro's way. He or she has a big job to do. And, never shoot over the pro's shoulder. That won't be appreciated and could interfere with the job."

Instead, DeLaney suggests concentrating on recording the fun that you and your family and friends have at the wedding. Not only will you have a record of the wedding for your own pleasure, but imagine the joy of the happy couple to receive prints of events that the professional photographer did not see or wasn't asked to cover.

For instance, many wedding photographers no longer shoot those "table shots" of the guests because these photos don't usually get purchased by the bride and groom. This is the perfect opportunity for you. But shoot these like a pro: Have some of the people at your table stand up and move behind those still seated and take a group shot. Avoid showing the entire table complete with half-eaten food, instead concentrate on the faces of the guests.

Another photo opportunity exists at your table. Many bridal receptions now include disposable "single use" cameras at every table. You may need to get the show rolling and coax your table mates to start taking pictures. Remember, the bride and groom can't be at every table to take part in the festivities so candid photos from these cameras can show the guests having fun in a way that professional photographers aren't likely to capture.

A couple of hints on wedding photography etiquette. If you want to take photos at a church, synagogue, mosque or chapel, take your cues from the professional photographer hired by the bridal couple. If you see that he or she is not taking photos at the ceremony, chances are it is because the clergy told the photographer not to do so. Respect the tradition and don't take pictures. The same thing holds true for flash photography. Some places of worship will allow it at the ceremony, others will not. If you see that the pro is shooting, then take an aisle seat. It's the best place to get nice close shots of the couple that fill the frame as they leave the church.

One other suggestion on wedding photography is to be respectful of the professional photographer. Don't get in that individual's way. You don't want to ruin the photos that the bride and groom are paying the pro to take, and the pro can do a better job of capturing many parts of the event than you can. As we've indicated, there are plenty of different kinds of shots for you too.

Reprinted with permission from the New York Institute of Photography website at www.nyip.com